A childhood album of Colin Gubbins
from McVean family
photographs
All reproduced by kind permission of Colin Houston with copyright:
reserved.
Page first posted November 2010: first exhibition in
SIR COLIN MCVEAN GUBBINS

![]()
Best known as

The Gubbins
children in Tokio 1897
The third child in the family, Colin McVean Gubbins was born in



The Gubbins
family at Karuizawa summer resort about 1898
After his first years at
the Tokio Legation, young Colin “Cockle” Gubbins came back to Britain with his brother and sisters
and became familiar with Killiemore House, Kilfinichen, his mother’s family home on the Isle of Mull,
where his kilted grandfather Colin McVean “Himself”
held sway. He later went to school at

The
British Legation at Tokio about 1899


The three older Gubbins children: Colin with his older brother Hugh and
sister Una

Colin’s two younger
sisters Marjorie “Mousie” and baby Helen, with his
mother

Life
at Kilfinichen















Betsy
McLean, wife of Hector the Kilfinichen shepherd
-wonderful company, she was a woman
of great intelligence and skill







Grandfather (“Himself”) in
the kilt as usual, Colin is in sailor suit at right






Grandfather (Colin McVean) and Grandmother (Mary Cowan) stand between the boys




Hugh & Colin Gubbins fishing, and swimming with Una








From

Uncle Dondo (Donald Archibald Dugald) McVean (born 1870).
An officer in Rattray’s Sikhs he had
been Winston Churchill’s tentmate in the Malakand Field Force
A childhood album of Colin Gubbins
from McVean family
photographs
All reproduced by kind permission of Colin Houston with copyright:
reserved.
Page first posted November 2010: first exhibition in
Many more
photographs of Colin Gubbins’ grandparents: MARY WOOD
COWAN & COLIN MCVEAN
Educated at
In 1919 Gubbins went to
Gubbins argued that for guerrilla warfare to succeed it needed
daring leadership and a sympathetic population. In his pamphlets he provided practical
information on how to organize a road ambush, how to immobilize a railway
engine and how to kill the enemy.
By the outbreak of the Second World War Gubbins had reached the rank of brigadier. As the author of
British Army manuals of guerilla warfare, at the
outbreak of war he was rapidly despatched to Poland as Chief of
Staff to the British Military Mission there and witnessed
In October 1939, following his return to
Back in
In November 1940 Gubbins became acting
Brigadier and, at the request of Hugh Dalton, minister of Economic Warfare, he
was seconded to the Special Operations Executive (SOE), set up to
"coordinate all action by way of sabotage and subversion against the enemy
overseas".
"Probably the most significant personality within the entire
organisation was a Scot who had moved across from Military Intelligence.
Brigadier Colin Gubbins wrote most of the Army's
manuals on guerilla warfare, and it was his vision
and his authority that eventually became the driving spirit behind SOE."
“Described as 'a real Highland toughie, bloody brilliant, should
be the next CD', he was short enough to make me feel average, with a moustache
which was as clipped as his delivery and eyes which didn't mirror his soul or
any other such trivia. The general's eyes reflected the crossed swords on his
shoulders, warning all comers not to cross them with him. It was a shock to
realize they were focused on me.”
Maintaining his existing connections with the exiled forces, Gubbins was given three tasks: to set up training
facilities; to devise operating procedures acceptable to the Admiralty and Air
Ministry; and to establish close working relations with the Joint Planning
Staff.
Despite frustrations, disappointments and a shortage of aircraft,
he persevered with training organizers and dispatching them into the field. The
first liaison flight to
In September 1943 Sir Charles Hambro
resigned as executive head of SOE, and Gubbins, now a
Major-General, was appointed as his replacement. He immediately faced an attack
on SOE's autonomy mounted by the Foreign Office, GHQ
Middle East, and the Joint Intelligence Committee. Despite the firm support of
his Minister, Roundell Palmer, 3rd Earl of Selborne, it was not until
As head of SOE, Gubbins co-ordinated the
activities of resistance movements worldwide, consulting at the highest level
with the Foreign Office, the Chiefs of Staff, representatives
of the resistance organizations, governments-in-exile, and other Allied
agencies including particularly the US Office of Strategic Services (OSS). The organized resistance was more effective
than

![]()
After the war Gubbins
published Resistance Movements in the War (1948). In 1946, when the Special Operations
Executive had been disbanded, the War Office had no suitable work for him. He
became Managing Director of a Scottish carpet company, Grays
at Newton of Ayr close to Prestwick Airport. All carpet factories had been required to
produce light engineering products to government direction during the war and
the industry was gearing up to resume its former trade. Grays was a big
firm producing high quality woven carpets under the trade name Ayrtoun for government, hotels, Embassies and
airports around the world with a workforce of over 1000.
“He gave the impression of
someone of great character, but someone who definitely should not be messed
with.” .

The well-appointed carpet factory of William Gray
& Sons,
Colin Gubbins spent his last years on
the Isle of Harris and died on
A childhood album of Colin Gubbins
from McVean family
photographs
Page first posted November 2010: first exhibition in Penicuik Town Hall
15 January 2011
Film of Grays of
PERFECTION UNDERFOOT
Ref: 7748
Date: 1964*
Sound: silent
Colour: col Fiction: non-fiction Running time: 34.31 mins
Description: A promotional film produced for William Gray & Sons, 'Ayrtoun
Carpets' of
Shotlist: GRAYS OF AYR - PRESENT - title - shots of Caledonian Steam
Packet Co. steamer Duchess of Hamilton entering Ayr harbour, tying up at pier -
gangway is raised and passengers disembark - gvs
harbour, fishing boat and fish lorry (1.47) gvs of Sandgate in Ayr, looking towards town hall, traffic and
Western SMT buses - view along Sandgate from above -
shots of Robert Burns statue, Burns' Cottage in Alloway,
Burns Monument and Burns Monument Hotel (3.03) shots of designer Helen Turner
painting rose bush beside Brig o'Doon at Alloway, c/u shots of roses and
painting - cut to int shots in designing room in Gray's factory, Turner copying rose painting to squared
paper - shots of designer painting floral design on paper - shots of head of
department Jim Galloway talking to design staff - c/u
designer working on pattern - gv of designing room,
shots of women transferring designs on to squared paper, Jean Scott tracing a
design outline - shot of woman painting coloured background on paper - Helen
Turner and other staff discussing designs (6.26) shots in loose wool blending
department of Gray's factory: wool in canvas bails
being fed into hopper - teased wool blown into holding bin, then removed and
thrown into vacuum duct - shots in spinning department: operator loading wool
into carding machine hopper, wool being weighed on pivoting scale, shots of
wool passing over carding rollers then on to narrow conveyor belt - gvs start of spinning process, strips of wool passing
through rollers, strands of wool wound on to reels, reels placed on to spinning
frame - shots of wool being wound on to bobbins (10.11) shot of colourist
checking wool colours for a design - shots of woman working on test design by
hand, design checked by head colourist Mr Cahill (11.36) gvs
in dye house: trolley of wool being prepared for dye vats, placed on suspended
poles - shots of dyer measuring dye on to paper, adding it to vat, lowering
wool into vat and removing it (13.40) shots in laboratory: woman checking fibre
under microscope, machine checking dye quality, testing yarn for tensile
strength, machines testing carpet for durability and abrasion (14.59) gv spool winding department for Axminster
carpets, shot of bobbin table and carpet design - shots of yarn being wound on
to metal spool, spools placed on pallet and numbered (16.52) shots in weaving
shed: spools of yarn fitted on to machine, wool fed in by hand - shots of women
placing spools on chain of loom - shots of electronic diagnostic panel - shots
of narrow Axminster carpet being woven - c/u shots of shuttle moving back and forwards across the loom
(20.00) shots of broadloom carpet being woven - fun sequence in which lab
assistant demonstrates practical versions of the lab tests, stamping on a
carpet square with heavy boots and flattening it from the top of a fire escape
with a '5-ton' weight (22.10) shots in Wilton weaving department: shots of
operator and loom - shot of woman preparing punched cards to operate loom - shot
of bobbin creel behind loom - shots of carpets being woven - gvs of finishing room, women at tables correcting weaving
errors by hand - gvs of broadloom cropping machine at
work, carpet surface being trimmed - shots of carpet going through back sizer machine, to stiffen the back of the carpet - carpet
coming off conveyor, lapped on to pallet - carpet passing through broadloom
cropper - shots of woman inspecting carpet before measurement - narrow carpet
passing through measuring machine on to roller - shots of women cutting carpet
into short lengths for 'bed sets', then ironing on 'Ayrtoun
Carpets' label on underside, stitching end on Singer machine (28.51) shots in
stockroom: men remove carpet roll from shelf, open it out on floor and cut it
to size, then package it in canvas bag and mark it 'Copenhagen' - workers tie
up bag ready for transportation - shots of packages with c/u
shots labels, 'H.E. The Governor, Malta, The Palace, Valletta', 'Nigeria,
Tanganyika, Dar-Es-Salaam' - shot of barrow coming out of doorway, Ayrtoun Carpets lorry driving away from factory (32.08) gvs of 'Empress of Canada' at pier at Greenock?, shots of
packages being craned on board from tender, then sailing away down Clyde, past Cloch lighthouse - THE END (34.31)
Killiemore House, Isle of
Lyra Celtica: An Anthology of Representative
Celtic Poetry. Ancient Irish, Alban, Gaelic, Breton, Cymric and Modern Scottish and Irish Celtic Poetry.
SHARP,
Book Description: Lawnmarket,
Edinburgh: Patrick Geddes and Colleagues, MDCCCXCVI
[1896]. 8vo. 19 x 12 cm. lii
+ 443 + [3] pp. Text includes introduction (35 pp.), notes, including
biographical sketches (50 pp.) and 23 pp. publisher's catalogue. Celtic
patterned endpapers. Top edge gilt, others uncut. Original green cloth with
blind stamped celtic designs on front and rear
covers; gilt spine title and decoration; blind stamped front cover title. Pages
showing slight browning; head of spine rubbed; spine title dull; front joint
weak and with splits (1.5 cm) at head and tail; neat, dated (1897) name and
address (Killiemore House, Isle of Mull) on verso of ffep. The Celtic Library. First edition. G +. An important
collection. Bookseller Inventory #2104
Many more
photographs of Colin Gubbins’ grandparents: MARY WOOD
COWAN & COLIN MCVEAN
COWAN family ancestry & descent
POLISH FORCES IN SCOTLAND IN THE SECOND WORLD WAR
This page is now one of the 350
most visited KOSMOID & MAKERS webpages